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The Refrigerator

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The Refrigerator 1991 movie

The Refrigerator is a 1991 American comedy horror film starring Julia McNeal, Dave Simonds and Angel Caban. It was written and directed by Nicholas Jacobs.

Plot teaser:

A couple drive drunkenly across the streets of New York to their squalid apartment. They get home and have brief sex in the kitchen. When the wife walks into the kitchen, the refrigerator opens up and sucks the girl in.

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Steve and Eileen Batemen are a young couple in Ohio. They are moving to Avenue D in New York, and move into the same apartment with the killer refrigerator. Steve takes a new job, while Eileen is trying to become a performer. Eileen pretends to be awarding an award while in the apartment, then walks all over Broadway.

 

When Steve and Eileen go to sleep, they start having nightmares about the refrigerator, Steve is seeing mini people inside the refrigerator (supposed victims). Eileen has a nightmare that she is seeing unborn babies.

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Steve is soon driven to insanity by the refrigerator, leaving Eileen to cope with her and her acting career on her own. A plumber named Juan comes to the apartment one night, warning Eileen her refrigerator is from hell and the devil controls it…

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New York in 1991. A poor person’s hell and a yuppie dream…

Reviews:

The Refrigerator works best, surprisingly, as straight-up horror mixed with comedy, and not the other way around. Much of it is played for laughs, certainly, but the refrigerator is an authentically menacing, even eerie presence throughout, and the special effects are quite impressive considering the low budget.” Adam Groves, The Fright Site

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” …the fridge scenes and the kills are all pretty fun, it has some wonderfully atmospheric shots and the dialogue is often super-hilarious (“I am the waffle maker!”).” Maynard’s Horror Movie Diary

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“While the basic premise of The Refrigerator – take a couple of dream yuppies and plop them into a world of madness and horror – is satirical and wry, the final results aren’t very satisfying. The main failure of the film is that none of the separate entities work on their own – the funny scenes generally aren’t funny and the scary parts, while original in idea, aren’t scary, only overly gory.” TV Guide

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Choice dialogue:

“The appliance’s may be old but they have a lot of character”.

Wikipedia | IMDb

 



Burying the Ex

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‘Some relationships just won’t die’

Burying the Ex is a 2014 comedy horror film directed by Joe Dante (Piranha1978; The Howling; Gremlins and its sequel; The Hole) from a screenplay by Alan Trezza, based on his 2008 short film of the same name. It stars Anton Yelchin, Ashley Greene, Alexandra Daddario, and Oliver Cooper.

This ArtImage Entertainment/Scooty Woop Entertainment/Act 4 Entertainment premiered at the Venice Film Festival on September 4, 2014.

Plot teaser:

Max (Anton Yelchin), an all-around nice guy, and his overbearing but incredibly beautiful girlfriend, Evelyn (Ashely Greene). Their relationship takes a nosedive after they decide to move in together and Evelyn turns out to be a controlling, manipulative nightmare.

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Max realizes it’s time to call it quits, but there’s just one problem: he’s too afraid to break up with her. Fate steps in when Evelyn is involved in a freak accident and dies, leaving Max single and ready to mingle.

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Several weeks later, he has a chance encounter with Olivia (Alexandra Daddario), a cute and spirited girl who just might be his soul mate.

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But that same night, Evelyn returns from the grave as a dirt-smeared zombie and she’s determined to live happily ever after with Max …

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Reviews:

“There’s just enough blood on screen to keep gore hounds happy without turning off those who came primarily for the comedy or a little romance and the film switches gears between genres with Dante’s customary ease, even if none of it goes particularly deep. Much of the film’s humor is of course derived from death-related puns and wordplay, there are a couple of screwball situations and some of the zombie variations on mainstream-comedy standards are inspired, such as when Evelyn projectile-vomits embalming fluid all over her boyfriend. More contemporary-feeling are the antics of the rotund, often semi-naked womanizer Travis, who bring to mind a cheaper version of Seth Rogen…“Boyd van Hoeij, The Hollywood Reporter

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“Along the way are a spare handful of amusing comic riffs (none better than a convoluted digression about a church-rock band called The Christian Slaters) and gross-out gags (none grosser than the oral expulsion of embalming fluid), but at just 89 minutes, there hardly seems enough material to fill the time. Watching two intelligent, attractive women fight to the death (or, well, beyond) over the dubiously worthy prize of Max is about as dramatically compelling as it is socially and sexually progressive.” Guy Lodge, Variety

“Overlit and with TV-show level sets and locations, half the time “Burying the Ex” looks more like an early episode of Buffy than a feature film, let alone one premiering inexplicably on the Lido. With a glut of rom-zom-coms recently, we can’t help but feel that Dante needed to do a little more than blow the dust off of his old bag of tricks in order to give people a reason to seek this one out … What we get here is not a reinvention, nor a reinterpretation, it’s the wholesale reanimation of something that had been buried for a long while. Like the shambling zombie corpse it is, initially we’re glad to see it come back to life, but pretty soon, for all its puns and Val Lewton references, it starts to decompose.” Jessica Kiang, The Playlist

IMDb

 


Beaster Day: Here Comes Peter Cottonhell

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Beaster Day: Here Comes Peter Cottonhell is a 2014 American comedy horror film written and directed by Zack and Spencer Snygg. It stars Peter Sullivan, Marisol Custodio, John Fedele, Jon Arthur, Bill Joachim, Darian Caine, AJ Khan, Kerri Taylor, Jackie Stevens, Autumn Bodell, and Violetta Storms.

Part of the financing came from a successful Kickstarter funding campaign.

Plot teaser:

Deep in the woods stalks a giant killer mutant Easter Bunny. Unsatisfied with nibbling on grass, he craves, chews lives on human flesh. Rock climbers, hitchhikers, and nudists alike all end up in his jaws as he devours everyone in his way. One by one the townsfolk are consumed by the evil hare, but he still remains a mystery to most of the habitants.

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Knowing that a flesh eating giant rabbit might affect tourism a bit and the upcoming Easter Day corporate sponsored parade, the corrupt mayor quietly covers up the deaths hoping to rake in as much cash as he can for the Easter Day celebrations. The mayor tells the townsfolk that there is nothing to fear from the horrific decapitations and intestine removals. The deaths are all accidental demises due to hazardous farm tool equipment…

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Tucker and Dale vs Evil

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Comic artwork by Tony Moore

Tucker and Dale vs Evil - promoted as Tucker & Dale vs. Evil – is a 2010 Canadian comedy horror film directed by Eli Craig from a screenplay he co-wrote with Morgan Jurgenson. The film stars Alan Tudyk, Tyler Labine and Katrina Bowden.

Tucker and Dale vs Evil 2 is reportedly in development…

Plot teaser:

A group of “college kids” are going camping in the Appalachian mountains. While at a gas station, they encounter Tucker and Dale, two well-meaning hillbillies who have just bought the vacation home of their dreams: a run-down lakefront cabin, deep in the woods. On Tucker’s advice, Dale tries to talk to Allison, but because of his inferiority complex and appearance, he only scares her and her friends.

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Tucker and Dale arrive at their decrepit cabin and begin repairing it. Nearby in the woods, Chad tells a story about the “Memorial Day Massacre”, a hillbilly attack which took place 20 years ago. The college kids go skinny-dipping where Tucker and Dale are fishing, and Allison, startled, hits her head. Tucker and Dale save her, but her friends think she was kidnapped.

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When Allison wakes up in Tucker and Dale’s cabin the next day, she is initially scared but befriends the two hillbillies. The other college kids arrive at the cabin to save Allison from her “psychopathic captors”, and Chuck runs away to get the police. While Dale and Allison are inside the cabin, Tucker angers some bees and frantically waves around his chainsaw, which the college kids misinterpret as hostility. They scatter through the woods, and Mitch accidentally impales himself on a broken tree. After finding Mitch’s body, Chad persuades the others that they are in a battle for survival…

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Buy Tucker and Dale vs Evil on Blu-ray from Amazon.co.ukAmazon.com

Reviews:

Despite a deeply uninspiring title this is a mocking inverse-expectations comedy horror that succeeds where many others haven’t so ignoring complaints from some mainstream critics that it’s a one-joke movie, horror fans are definitely enjoying that slapstick splatter jokiness and at 84 minutes it doesn’t grind it’s point into the ground. Supposed backwoods folks with a knowledge of the allergic effects of camomille tea may be stretching the teasing humour, yet it works. The romantic element is more difficult to swallow than certain specialist teas but its the film’s one weakness. Visually engaging and with a strident score by Michael Shields and Andrew Kaiser, this refreshingly likeable film has found a perceptive audience via the likes of Netflix and Amazon Prime where it seems perennially popular in the audience horror picks.

Adrian J Smith, Horrorpedia

“What keeps this so amiable is that it honors the simple pleasures of bloody horror without really vilifying anyone: screenwriters Morgan Jurgenson and Eli Craig devise most of the grisly deaths as elaborate slapstick mishaps. Aside from the good cheer, however, there isn’t much to distinguish this from the low-rent slasher movies it parodies; if you’re not a fan of the genre, you’ll likely find this pretty thin.” Ben Sachs, Chicago Reader

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First time director Eli Craig gets that troublesome mix of horror and comedy dead right, aided in no small part by having charming leads and a central joke that’s original, smart and, above all, funny … As with most single-joke movies the plot runs out of steam, but it’s still a fun and memorable ride.” Phelim O’Neill, The Guardian

“At its heart, it’s really just a one-idea premise stretched out to feature length, but the lovable duo of Tudyk and Labine and an endearing layer of sweetness under all the blood make it a fully enjoyable comedy of (t)errors.” Keith Staskiewicz, Entertainment Weekly

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Tucker & Dale vs. Evil is an immensely likable horror-comedy and easy to recommend, but also full of missed opportunities. While movie has terrific performances and is certainly filled with more than its fair share of gore and mayhem, its repetitive nature does detract from the overall experience.” Cinema Blend

“A salutary, very funny and pleasingly moral movie”. Philip French, The Observer

comedy horror films

Buy Comedy-Horror Films book from Amazon.co.ukAmazon.com

Choice dialogue:

“You’ve gone hillbilly on me, Allison. Now I’m willing to forgive you but you’re gonna have to pay!”

Cast:

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Wikipedia | IMDb | Facebook | Image thanks: Imp Awards


Please Don’t Eat My Mother!

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‘Pretty Young Ladies Make the Perfect Plant Food!’

Please Don’t Eat My Mother – also released as GlumpHungry Pets and Sex Pot Swingers – is a 1973 sexploitation comedy horror film produced and directed by Carl J. Monson (Legacy of Blood; A Scream in the Streets) from a screenplay by Eric Norden for Harry Novak‘s Boxoffice International Pictures. It stars Buck Kartalian (OctamanLegacy of Blood; Monster Squad), Lyn Lundgren (Strait-Jacket), Art Hedberg, Alice Friedland (The Psycho Lover) and porn star Rene Bond (The Adult Version of Jekyll & Hide; Necromania: A Tale of Weird Love!; A Name for Evil).

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The film is an adult-orientated softcore remake of Roger Corman’s The Little Shop of Horrors. According to Michael Weldon’s Psychotronic Video Guide, the film was still playing at drive-ins as late as 1982.

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Plot teaser:

A shy and timid man who lives with his mother buys a plant he thinks talked to him. His loneliness is very apparent in the way he tries to turn the plant into a friend. Well, the plant is carnivorous and can talk with a woman’s sexy voice. Henry, the protagonist, now has two joys in life. One is being a voyeur (he is much too shy to actually talk to a girl) and the other is his new plant friend. Soon he discovers the plant likes bugs (and then frogs and dogs and cats but he draws the line at elephants). Eventually the plant wants to try a delicious woman, like in the pictures Henry has hanging in his room.

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One day, Henry’s mother breaks into his room thinking to confront him with a woman and all she can find are Henry and the plant. But soon the plant eats her and discovers that women are really tasty. When detective O’Columbus shows up, the plant discovers she does not like eating men, just women…

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The Harry Novak Collection DVD

Buy The Harry Novak Collection on DVD from Amazon.co.uk

Reviews:

“Clearly not for everyone, Please Don’t Eat My Mother is an acid-gobbling piece of no-fi sexploitation junk that stands out both for the shabbiness of its monster and for its oddly affecting protagonist, a teeth-gnashing, chronically masturbating man-child fleshed out into a living, breathing hunk of sweaty desperation by Buck Kartalian, one of exploitation’s most sadly unsung character actors. Boner-seekers will be out of luck, since the sex scenes are ineptly staged and boring to watch, but the sniveling characters, eye-scorching sets and inept creature construction are just too bizarre to miss.” Movies About Girls

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“It tries to be a number of different types of movie and essentially fails on all counts. When it’s trying to be a comedy it suffers by not actually being very funny. When it’s trying to be a horror film it suffers because it’s not scary in the slightest. And when it’s trying to be a porno it doesn’t actually show the stuff you’d expect to see in a porno, and it keeps cutting to an imbecile acting like a pervert so anyone looking for that sort of thing will be disappointed too (I’d imagine).” That Was a Bit Mental

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Rene Bond purple negligee in Please Don't Eat My Mother

Buy Please Don’t Eat My Mother on Something Weird DVD from Amazon.com | Amazon.co.uk

Special Features:

  • Trailers for this, plus “Hungry Pets,” “Booby Trap,” “Exotic Dreams of Casanova,” “Indian Raid Indian Made,” “Pigkeeper’s Daughter,” “Street of a Thousand Pleasures,” “Substitution”
  • Radio-Spot Rarities
  • Gallery of Harry Novak Exploitation Art
  • Two Archival Short Subjects: “Please Don’t Eat My Mother!” star Buck Kartalian in the Harry Novak short “The Voyeur,” “Rene Bond Bound”
  • Something Weird Video raids Harry Novak’s Film Vault

Choice dialogue:

“Oh frog me, Henry, frog me!”

Cast:

  • Buck Kartalian as Henry Fudd
  • Lyn Lundgren as Clarice Fudd
  • Art Hedberg
  • Rene Bond as Harry’s wife
  • Alice Friedland as Call girl
  • Adam Blair
  • Flora Weisel
  • Ric Lutze as Harry
  • Carl Monson (uncredited) as Officer O’Columbus
  • Zach Moye

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Sex Pot Swingers

Buy Please Don’t Eat My Mother poster (main image at top) from Amazon.co.uk

Wikipedia | IMDb


Raiders of the Lost Shark

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Raiders of the Lost Shark is a 2014 American comedy horror film directed by Scott Patrick from a screenplay by Brett Kelly, and David A. Lloyd. It stars Candice Lidstone, Jessica Huether, Catherine Mary and Lawrence Evenchick.

The film is due to be unleashed by Wild Eye Releasing on 21 April 2015.

Plot teaser:

Four friends set out by boat for an idyllic vacation on a private, remote island. But unknown to them, a weaponized shark has escaped from a top secret military lab nearby, a shark that was genetically engineered with hate in its blood, and programmed to hunt any human within range. Now, these friends must band together to battle an all new brand of predator who will stop at nothing to remain at the top of the food chain…

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Scouts vs. Zombies

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Scouts vs. Zombies

Scouts vs. Zombies is an upcoming American horror comedy film directed by Christopher B. Landon (Paranormal Activity: The Marked Ones) and written by Emi Mochizuki, Carrie Evans, Lona Williams and David Koechner. The film stars Tye Sheridan, Logan Miller and Joey Morgan. The movie’s makeup effects are being handled by Tony Gardner and his company, Alterian, Inc. The film is scheduled to be released on October 30, 2015, by Paramount Pictures.

Plot teaser:

Three scouts who, on the eve of their last camp out, discover the true meaning of friendship when they attempt to save their town from a zombie outbreak…

Wikipedia | IMDb


Feed the Gods

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Feed the Gods

Feed the Gods is a 2014 comedy horror film written and directed by Braden Croft (Hemorrhage) for Random Bench Productions. It stars Erica Carroll (Carmilla, the Lesbian VampireSpooksville; R.L. Stine’s The Haunting Hour), Shawn Roberts (Diary of the DeadA Little Bit ZombieResident Evil), Tyler Johnston (OgreR.L. Stine’s The Haunting Hour), Emily Tennant (Zombie Punch; Poe: Last Days of the Raven), Britt Irvin (Supernatural), Garry Chalk (The Fly IILeprechaun: OriginsGodzilla).

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Plot teaser:

After the death of their foster mother, brothers Will and Kris inherit a box that offers clues about their long-lost parents. Their quest leads them to the creepy town of Tendale, which is home to a mythical Bigfoot-like creature with “a taste for tourists.” Soon the town’s insidious past emerges, and the boys find exactly what they’re looking for…

The film is due to be released by XLrator Media on VOD on November 25, 2014 and DVD on January 27, 2015.

IMDb | Facebook | Twitter



Black Sheep

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Black Sheep is a 2006 New Zealand comedy horror film written and directed by Jonathan King. The film’s “splatstick“-style was inspired by New Zealand director Peter Jackson‘s movies such as Bad Taste and Braindead. Special effects for the film were handled by Weta Workshop.

Plot teaser:

A young Henry Oldfield (Nick Fenton) lives on a sheep farm in New Zealand, with his father and older brother, Angus. After witnessing his father’s pride in Henry’s natural ability at farming, Angus plays a cruel prank on him involving the bloody corpse of his pet sheep, just moments before Mrs. Mac, the farm’s housekeeper, comes to tell the boys that their father has been killed in an accident. The combined shock of these two incidents leads Henry to develop a crippling phobia of sheep.

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Fifteen years later, Henry (Nathan Meister) returns home to sell his share of the family farm to Angus (Peter Feeney). Unknown to Henry, Angus is carrying out secret genetic experiments that transform sheep from docile vegetarians into ferocious carnivores whose bite can transform a human into a bloodthirsty half-sheep monstrosity…

Reviews:

“Writer-director Jonathan King takes swipes at irresponsible scientists but also at daft hippie saboteurs: his message is the obvious one of letting nature get on with it. There are bawdy gags about the usual suspects, including the notorious intimacy between Kiwis and sheep, but the farce maintains a rollicking pace and the performances are more accomplished and likeable than a film of this sort generally musters.” Anthony Quinn, The Independent

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“This movie is bloody and gory along the lines of Slither, but it’s done with deliberate humor, spectacular effects and surprisingly, a beautifully written musical score by Victoria Kelly. The actors are all unknowns (here in the U.S.) and I believe this is King’s first full-length feature film. It’s an amazing effort and a credit to them all that they pull it off and make something that is so graphic at times seem hysterically funny.” Sybil Vasche, Screen Rant

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“Of course, no film – least of all one about mutant killer sheep – is obliged to “say something”; so rather than criticise this production for its profound disinterest in anything that doesn’t involve grossing out its audience, it would be more to the point to commend it for the energy it puts into achieving that one great goal. Mutilated human bodies abound in Black Sheep: the camera lingers with glee over disembowellings, throat tearings, limb severings and, in the case of Angus Oldfield’s inevitable demise, genital violence guaranteed to bring tears to the eyes of any male viewer.” Liz Kingsley, Cinefantastique

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“There are some good jokes, and impressively disgusting special effects, but it’s hampered by wooden acting, abrupt switches of tone, and long stretches of humourless exposition. Shaun of the Dead has set the bar pretty high for this sort of thing; Black Sheep just isn’t nearly as funny or suspenseful.” Andrew Pulver, The Guardian

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“Writer/director Jonathan King turns in a highly skilled debut, with amazingly clear editing and a gorgeous use of widescreen, rural spaces. He has an eye for old-fashioned horror, using latex effects instead of CGI, but also turns up the gore for modern audiences. He also has a terrific deadpan comic touch, and the film had me giggling more than once.” Jeffrey M. Anderson, Combustible Celluloid

 

Wikipedia | IMDb


Da Sweet Blood of Jesus

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Da Sweet Blood of Jesus is a 2014 romantic horror comedy film written and directed by Spike Lee. With a budget of just $1,418,910, was the first of Lee’s films to be funded through Kickstarter. It stars Felicia Pearson, Elvis Nolasco, Zaraah Abrahams, Steven Hauck and Stephen Tyrone Williams.

The film was released on June 22, 2014 on American Black Film Festival as the closing film. The film is scheduled to be released in theaters and on VOD on February 13, 2015, by Gravitas Ventures.

Spike Lee said that film is about “Human beings who are addicted to blood. Funny, sexy and bloody. A new kind of love story (and not a remake of Blacula).”

Reviews:

” … Da Sweet Blood of Jesus is at once too much and yet somehow not enough. On the one hand, it’s exciting to see the always envelope-pushing Lee working without a studio- or distributor-imposed safety net (though he has typically enjoyed a high level of creative freedom even on his studio-backed projects). But while the film never lacks for ambition, it fails to satisfy emotionally or intellectually in the ways Lee intends. Both Williams and Abrahams give it their all, but never convince as an actual lovestruck couple in the way the great Duane Jones (Night of the Living Dead) and Marlene Clark did in Gunn’s film.” Scott Foundass, Variety

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“The performances are intriguing, but they are at such a remove that there’s zero emotional connection with what’s up on screen. The “rules” of this film’s specific vampirism are intentionally hazy (are the victims dead? undead? aware of their fate?) and Dr Greene’s snap transformation into a wily bloodsucker without the benefit of a learning curve is curiously frustrating. As a horror picture, quite frankly, it’s a bit of a disaster.” Jordan Hoffman, The Guardian

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“Whenever Lee ventures away from the outrageous particulars of the plot, “Da Sweet Blood of Jesus” transforms into a stylish means of exploring contemporary struggles in urban black America by depicting it as a ballet of navigating personal and practical conflicts alike: The marvellous credits sequence finds a dancer elegantly unfolding his body at the center of the Knicks’ courtroom, Battery Park City and elsewhere. A jazzy piano score by Bruce Hornsby routinely suggests a bigger picture than the specifics of the story.” Eric Kohn, Indiewire

“All over the place, inarticulate and gravely goofy at time, the fine line between laughing with Lee and laughing at Lee’s movie is certainly blurred. Ultimately, for all its semi-weighty spiritual and societal concerns, “Da Sweet Blood of Jesus” is an extremely difficult movie to take seriously and might be the closest we’ve seen to this director making a student film in public. Thematically, it’s also all too on the nose. Any allusions to addiction as part of society’s current ills are hamfisted (and delivered in overt, spelled-out monologue).” Rodrigo Perez, The Playlist

Filming locations:

Martha’s Vineyard; New York City

Wikipedia | IMDb

 

 


The Addams Family – From cartoons, to TV series, movies, merchandise and a musical

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The Addams Family is a group of fictional characters created by American cartoonist Charles Addams. The Addams Family characters include Gomez, MorticiaUncle Fester, Lurch, Grandmama, Wednesday, Pugsley, Pubert Addams, Cousin Itt and Thing.

The Addamses are a satirical inversion of the ideal American family; an eccentric, wealthy clan who delight in the macabre and are unaware, or do not care, that other people find them bizarre or frightening. They originally appeared as an unrelated group of 150 single panel cartoons, about half of which were originally published in The New Yorker between their debut in 1938 and Addams’s 1988 death.

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Addams’s original cartoons were one-panel gags. The characters were undeveloped and unnamed until the television series production.

Gomez and Pugsley are enthusiastic. Morticia is even in disposition, muted, witty, sometimes deadly. Grandma Frump is foolishly good-natured. Wednesday is her mother’s daughter. A closely knit family, the real head being Morticia—although each of the others is a definite character—except for Grandma, who is easily led. Many of the troubles they have as a family are due to Grandma’s fumbling, weak character. The house is a wreck, of course, but this is a house-proud family just the same and every trap door is in good repair. Money is no problem. — Charles Addams

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The family appears to be a single surviving branch of the Addams clan. Many other “Addams families” exist all over the world. Charles Addams was first inspired by his home town of Westfield, New Jersey, an area full of ornate Victorian mansions and archaic graveyards.

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Although most of the humour derives from the fact that they share macabre interests, the Addamses are a close-knit extended family. Morticia is an exemplary mother, and she and Gomez remain passionate towards each other.

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The parents are supportive of their children. The family is friendly and hospitable to visitors, in some cases willing to donate large sums of money to causes, despite the visitors’ horror at the Addams’s peculiar lifestyle.

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Characters:

Gomez – master of the Addams household and the Addams patriarch, married to Morticia and the father of Wednesday and Pugsley. In the original cartoons in The New Yorker, he appeared tubby, snub-nosed and with a receding chin.

In the 1960s television series, Gomez was portrayed as a naive, handsome, and successful man, although with a childlike, eccentric enthusiasm for everything he did. Though a peaceful man, he was known to be well-versed in many types of combat; he and Morticia fenced sometimes.

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Gomez professed endless love for his wife, Morticia. He had studied to be a lawyer, but rarely practiced, one of the running jokes being that he took great pride in losing his cases. Gomez was depicted as extremely wealthy, through inheritance and extensive investments, but he seemed to have little regard for money.

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Morticia Addams – matriarch of the Addams Family, a slim woman with pale skin, clad in a skin-tight black hobble gown with octopus-like tendrils at the hem. Her visual aspect suggested that of some kind of vampire. She adores her husband, Gomez, as deeply as he does her.

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Gomez and Morticia had two children, a son called Pugsley and a daughter called Wednesday. In the television show she was a sweet-natured, innocent, happy child, largely concerned with her fearsome pet spiders.

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The movies gave Wednesday a much more serious and mature personality with a deadpan wit and a morbid fascination with trying to physically harm, or possibly murder, her brother (she was seen strapping him into an electric chair, for example, and preparing to pull the switch); she was apparently often successful, but Pugsley never died. Like most members of the family, he seemed to be inhumanly resilient.

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For his part, Pugsley was largely oblivious to the harm his sister tried to inflict on him, or an enthusiastic supporter of it, viewing all attempts as fun and games. In his first incarnation in The New Yorker cartoons, Pugsley was depicted as a diabolical, malevolent boy-next-door. In the television series, he was a devoted older brother and an inventive and mechanical genius. In the movies he lost his intelligence and independence, and became Wednesday’s sidekick and younger brother, cheerfully helping her in her evil deeds.

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Fester is a bald, barrel-shaped man with dark, sunken eyes and a devilish grin. He seemed to carry an electrical charge, as he could illuminate a light bulb by sticking it in his mouth. In the original television series, Fester was Morticia’s uncle. In all subsequent animated and film media, Fester was Gomez’s older brother, save for The New Addams Family where Fester is portrayed as Gomez’ younger brother.Fester-Addams-Christopher-Lloyd

Grandmama is a witch who deals in potions, spells, hexes, and even fortune-telling. Her trademarks were her shawl and grey, frizzy hair. Charles Addams originally named the character Grandma/Granny Frump in his notes for the adaptation of the cartoons to television in 1965, thereby making her Morticia’s mother.

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“Thing” as created by Charles Addams, was a shy creature mostly seen in the background of Addams’s drawings; however, the television series suggested it was a disembodied hand named “Thing“, and was Gomez’s friend since childhood. He (it is implied in the original television series that the character is male) often performed common, everyday tasks such as retrieving the mail, writing a letter, or just giving a friendly pat on the shoulder, appearing out of ubiquitous boxes or other convenient containers throughout the house. He communicated with the Addamses with a Morse-like alphabet, sign language, writing, and knocking on wood.

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Lurch served as a shambling gravelly-voiced butler, unscarred yet reminiscent of Frankenstein’s Monster, and a funereal but obedient “jack of all trades”. He tried to help around the house, although occasionally he botched tasks due to his great size and strength, but is otherwise considered quite a catch by the Addamses for his skill at more personal tasks, such as waxing Uncle Fester’s head and amusing the children (to whom he was deeply devoted).

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Surprisingly, Lurch was often seen playing the harpsichord or organ with great skill and uncharacteristic passion.

 

Cousin Itt, as so named by the television series producer, who frequently visited the family, was short-statured and had long hair that covered his entire body from scalp to floor. Although in the series he was shown wearing opera gloves, it is unclear what, if anything, is beneath the hair.

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Buy The Complete 1960s TV series from Amazon.comAmazon.co.uk

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The Addams family’s mansion had many different incarnations over the years. In one of Charles Addams’s cartoons. The house was depicted as being a dilapidated mansion that had been condemned (and was seemingly haunted, due to the strange creatures at the top of the staircase). Since then, it had become almost a character itself, and served as the main setting for the rest of the cartoons featuring the Addams family.

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In the 1960s television series, the house was given an address: 0001 Cemetery Lane. Instead of being a dilapidated house, it was now practically a museum, filled with odd statues, trophies, and other interesting knick-knacks. The house also sported a playroom with medieval racks, nailbeds, iron maidens, pillories and stocks, used for family relaxation.

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The house once again became a condemned mansion in the New Scooby-Doo Movies television show, in which the Addamses made a guest appearance. In the subsequent Addams Family 1970s cartoon, the mansion was mounted on a trailer and dragged all over the world with the globetrotting Addams clan.

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The two Addams Family movies in 1991 and 1993, along with the second animated television series in 1992, resurrected the mansion’s original exterior design from the Charles Addams cartoons. The movie Addams Family Values had the mansion appearing exactly as it did in Charles Addams’s drawing of the family, about to dump boiling oil on a group of carollers from the roof (a gag that was acted out in the opening sequence of the previous film). The first film reveals the mansion to have a cavernous, pillared, vaulted-ceilinged canal system deep underneath it, traversable by gondola boat to reach the family vault, itself a cluttered room filled with childhood mementos, home movies, and a bar which revolves around to reveal vast halls filled with countless gold doubloons and other treasure.

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Unlike The Munsters, which explicitly stated its characters’ supernatural origins, the exact nature of the Addamses is never established. They all seemed to share a bond with the occult and supernatural. Uncle Fester was often portrayed as something of a mad scientist, and Grandmama as a potion maker, and Morticia states that her study is spells and hexes in the 1991 movie The Addams Family but, these activities don’t really explain the Addams’s seemingly immortal state. Much of the food they live on is inedible or outright deadly to normal humans, and they take an interest in painful activities like walking across minefields or having a sharp pendulum cut them in half.

THE ADDAMS FAMILY

Television series, episodes, and films

In 1964, the ABC-TV network created The Addams Family television series based on Addams’s cartoon characters. The series was shot in black-and-white and aired for two seasons in 64 half-hour episodes.

The very wealthy, endlessly enthusiastic Gomez Addams (John Astin) is madly in love with his refined wife, Morticia (née Frump) (Carolyn Jones). Along with their daughter Wednesday (Lisa Loring), their son Pugsley (Ken Weatherwax – whom it was reported died of a heart attack the day after we posted this overview), Uncle Fester (Jackie Coogan), and Grandmama (Blossom Rock), they reside at 0001 Cemetery Lane in an ornate, gloomy, Second Empire-style mansion, attended by their servants: Lurch (Ted Cassidy), the towering butler, and Thing (billed as “itself”, but portrayed by Cassidy and occasionally by Jack Voglin), a disembodied hand that usually appears out of a small wooden box. Occasionally episodes would feature other relatives such as Cousin Itt (Felix Silla), Morticia’s older sister Ophelia (also portrayed by Carolyn Jones), or Grandma Frump, Morticia’s mother (Margaret Hamilton).

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Much of the humour derives from their culture clash with the rest of the world. They invariably treat normal visitors with great warmth and courtesy, even though their guests often have evil intentions. They are puzzled by the horrified reactions to their own good-natured and normal behavior, since the family is under the impression that their tastes are shared by most of society. Accordingly, they view “conventional” tastes with generally tolerant suspicion. For example, Fester once cites a neighboring family’s meticulously maintained petunia patches as evidence that they are “nothing but riffraff”. A recurring theme in the epilogue of many episodes was the Addamses getting an update on the most-recent visitor to their home, either via mail, something in the newspaper, or a phone call. Invariably, as a result of their visit to the Addamses, the visitor would be institutionalized, change professions, move out of the country, or suffer some other negative life-changing event. The Addamses would always misinterpret the update and see it as good news for their most-recent visitor.

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The tone was set by series producer Nat Perrin who was a close friend of Groucho Marx and writer of several Marx Brothers films. Perrin created story ideas, directed one episode, and rewrote every script. As a result, Gomez, with his sardonic remarks, backwards logic, and ever-present cigar (pulled from his breast pocket already lit), is sometimes compared to Groucho Marx.

Cover Date: 10/30/65

The television series featured a memorable theme song, written and arranged by longtime Hollywood composer Vic Mizzy (who also wrote the score for William Castle’s The Night Walker). The song’s arrangement was dominated by a harpsichord, and featured finger-snaps as percussive accompaniment. Actor Ted Cassidy, in his “Lurch” voice, punctuated the lyrics with words like “neat”, “sweet”, and “petite”. Mizzy’s theme was popular enough to enjoy a release as a 45rpm single, though it failed to make the national charts.

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Buy The Addams Family theme on MP3 from Amazon.co.uk

The New Scooby-Doo Movies (1972)

The Addams Family’s first animated appearance was on the third episode of Hanna-Barbera’s The New Scooby-Doo Movies, which first aired on CBS Saturday morning September 23, 1972. Four of the original cast (John Astin, Carolyn Jones, Jackie Coogan, and Ted Cassidy) returned for the special.

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The Addams Family characters were drawn to the specifications of the original Charles Addams cartoons. After the episode aired, fans wanted more animated adventures featuring the Addamses, and Hanna-Barbera obliged.

The Addams Family Fun-House (1972)

Meanwhile, in late 1972, ABC produced a pilot for a live-action musical variety show titled The Addams Family Fun-House. The cast included Jack Riley and Liz Torres as Gomez and Morticia, Stubby Kaye as Uncle Fester, Pat McCormick as Lurch and Butch Patrick (who had played Eddie Munster in The Munsters) as Pugsley. The pilot aired in 1973, but was not picked up for a series. Judging by the image below, we can see why!

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The Addams Family  (1973–1975)

The first animated series ran on Saturday mornings from 1973–1975 on NBC. In a departure from the original series, this series took the Addamses on the road in a Victorian-style RV. This series also marked the point where the relations between characters were changed so that Fester was now Gomez’s brother, and Grandmama was now Morticia’s mother.

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Although Coogan and Cassidy reprised their roles, Astin and Jones did not, their parts being recast with Hanna-Barbera voice talents Lennie Weinrib as Gomez and Janet Waldo as Morticia, while a ten-year-old Jodie Foster provided the voice of Pugsley. One season was produced, and the second season consisted of reruns. The show’s theme music was completely different and had no lyrics and no finger snaps.

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Buy The Addams Family animated TV series from Amazon.com

A complementary comic book series was produced in connection with the show, but it lasted only three issues.

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Halloween with the New Addams Family (1977)

A television reunion movie, Halloween with the New Addams Family, aired on NBC Sunday, October 30, 1977.

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The Addams Family: The Animated Series (1992–1993)

The Addams Family (1992 animated series) – The remake series ran on Saturday mornings from 1992–1993 on ABC after producers realized the success of the 1991 Addams Family movie. This series returned to the familiar format of the original series, with the Addams Family facing their sitcom situations at home.
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John Astin returned to the role of Gomez, and celebrities Rip Taylor and Carol Channing took over the roles of Fester and Grandmama, respectively, while veteran voice actors Jim Cummings, Debi Derryberry, Jeannie Elias and Pat Fraley did the voices of Lurch, Wednesday, Pugsley and Cousin Itt.
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New artistic models of the characters were used for this series, though still having a passing resemblance to the original cartoons. Two seasons were produced, with the third year containing reruns. The original Vic Mizzy theme song, although slightly different, was used for the opening.

The New Addams Family (1998–1999)

The New Addams Family was filmed in Vancouver, Canada, and ran for 65 episodes (one more than the original TV series) during the 1998–1999 season on the then newly launched Fox Family Channel. Many storylines from the original series were reworked for this new series, incorporating more modern elements and jokes. John Astin returned to the franchise in some episodes of this series, albeit as “Grandpapa” Addams.

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The cast included Glenn Taranto as Gomez Addams, Ellie Harvie as Morticia, Michael Roberds as Fester, Brody Smith as Pugsley, Nicole Fugere (the only cast member from Addams Family Reunion to return) as Wednesday, John DeSantis as Lurch, Betty Phillips as Grandmama and Steven Fox as Thing.

Theatrical feature films

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The Addams Family (1991)

In the 1990s, Orion Pictures (which by then had inherited the rights to the series) developed a film version, The Addams Family (released on November 22, 1991). Due to the studio’s financial troubles at the time, Orion sold the US rights to the film to Paramount Pictures. It took $191,502,246 at the box office.

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Buy The Addams Family (1991) on Blu-ray from Amazon.comAmazon.co.uk

Addams Family Values (1993)

Upon the last film’s success, a sequel followed: Addams Family Values. Loosened content restrictions allowed the films to use far more grotesque humour that strove to keep the original spirit of the Addams cartoons (in fact, several gags were lifted straight from the single panel cartoons). The two movies used the same cast, except for Grandmama, played by Judith Malina in the first film and Carol Kane in the second. A script for a third film was prepared in 1994, but was abandoned after the sudden death of actor Raúl Juliá.

Buy Addams Family Values on DVD from Amazon.com

Addams Family Reunion (1998)

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Released direct-to-video on September 22, 1998, this time by Warner Bros. through its video division. It has no relation to the Paramount movies, being in fact a full-length pilot for a second live-action television version, The New Addams Family. The third movie’s Gomez, played by Tim Curry (The Rocky Horror Picture Show; It), follows the style of Raúl Juliá.

Cancelled film

In 2010, it was announced that Illumination Entertainment, in partnership with Universal Pictures, had acquired the underlying rights to the Addams Family drawings. The film was planned to be a stop-motion animated film based on Charles Addams’s original drawings. Tim Burton was set to co-write and co-produce the film, with a possibility to direct but it was eventually cancelled.

Reboot

On October 31, 2013 it was announced in Variety that Metro-Goldwyn-Mayer will be rebooting The Addams Family as an animated film with Pamela Pettler writing the screenplay, however this has not come to fruition, so far…

Adult features

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Inevitably, as with The Munsters, there are adult-entertainment takes on the family’s exploits, namely The Maddams Family – with Ron Jeremy as Uncle Fester – and The Addams Family XXX. According to online reviews, the latter seems to be the better of the two…

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Video games

Five video games released from 1989 to 1994 were based on The Addams Family.

  • Fester’s Quest (1989) was a top down adventure game that featured Uncle Fester.

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  • In 1992, two versions of The Addams Family were released by Ocean Software based on the 1991 movie; an 8-bit version for the Nintendo Entertainment System, Game Boy, Sega Master System, Sega Game Gear, ZX Spectrum and Commodore 64, as well as a 16-bit version released for the Super Nintendo Entertainment System, Amiga, Atari ST and Sega Mega Drive/Genesis. ICOM Simulations published The Addams Family video game for the TurboGrafx-CD in 1991.

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  • The games’ sequel, The Addams Family: Pugsley’s Scavenger Hunt (1993), also by Ocean Software, was based on the ABC animated series and was released for NES, SNES, and Game Boy (although the latter two were just 8-bit remakes of the first SNES game, swapping Pugsley and Gomez’s roles).

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  • Addams Family Values (1994) by Ocean was based on the movie’s sequel and returned to the style of gameplay seen in Fester’s Quest.
  • A Game Boy Color game was released in the 1990s for promotion of The New Addams Family. The game was simply titled The New Addams Family Series. In this game, the Addams mansion had been bought by a fictional company called “Funnyday” that wanted to tear down the house and surrounding grounds to make room for an amusement park.

Pinball

The Addams Family (pinball) – A pinball game by Midway was released in 1992 shortly after the movie. It is the best-selling pinball game of all time!
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Books

The Addams Family

This first novelization of the television series, written by Jack Sharkey, was released near the end of the show’s second season by Pyramid Books in 1965. The book details the family’s arrival in their new home, and explains how it got its bizarre décor. The arrival and origins of Thing are explained. Each chapter reads as a self-contained story, like episodes of the television show. The novel concludes with the Addams family discovering that their lives will be the basis for a new television series.

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The Addams Family Strikes Back

“The Addams Family Strikes Back” by W.F. Miksch tells how Gomez plans to rehabilitate the image of Benedict Arnold by running for the local school board. The tone and characterizations in this book resemble the TV characters much more closely than in the first novel. Cousin Itt appears as a minor character in this story, but as a tiny, three-legged creature rather than the hairy, derby-hatted character seen on television and in the movies. The novel was published in paperback form by Pyramid Books in 1965.

The Addams Family: An Evilution

The Addams Family: An Evilution – a book about the “evilution” of The Addams Family characters, with more than 200 published and previously unpublished cartoons, and text by Charles Addams.
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Buy The Addams Family: An Evilution from Amazon.co.uk

Merchandising: Games and Toys

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The success of the 1960s TV series spawned a vast array of merchandising including a board game and target game, both from Ideal.

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The success of the 1990s feature films led to further merchandising of all kinds, plus arcade games.

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Advertising

In 1994, the actors cast as the Addamses in the first two films (sans the recently deceased Raúl Juliá) were in several Japanese television spots for the Honda Odyssey.The Addamses—most prominently Gomez (for whom a voice actor was used to impersonate Juliá while footage from Addams Family Values was seen) and Morticia—are seen speaking Japanese.

In 2007 and 2008, the Addams Family appeared as M&Ms in an advertising campaign for M&Ms Dark Chocolate.

Musicals

The Addams Family (musical) – In May 2007, it was announced that a musical was being developed for the Broadway stage. Veterans Marshall Brickman and Rick Elice wrote the plot, and Andrew Lippa wrote the score. Julian Crouch and Phelim McDermott directed and designed the production. Featured in the cast were Bebe Neuwirth as Morticia, Annaleigh Ashford as Wednesday, and Nathan Lane as Gomez. In addition, Kevin Chamberlin played Uncle Fester and Zachary James played Lurch.

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Buy musical original cast recording on CD from Amazon.co.uk
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The Broadway production closed on December 31, 2011 but the production went on national tour and has been adapted for the stage around the world since…

Doubtless, Charles Addams’ unique creation will live on further in many new and different incarnations…
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More Addams Family merchandise…

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Fancy dress costumes

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Buy Addams Family Psychobilly t-shirt from Amazon.co.uk

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Buy The Addams Family Barbie Doll Giftset from Amazon.com

Wikipedia | Related: The Munsters

 


Pride and Prejudice and Zombies

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Pride and Prejudice and Zombies is a 2015 American horror comedy romance film directed by Burr Steers and co-written with David O. Russell, based on the 2009 novel of same name by Seth Grahame-Smith. The film stars Lily JamesSam Riley and Matt Smith.

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Plot teaser:

Jane Austen’s classic tale of the tangled relationships between lovers from different social classes in 19th century England is faced with a new challenge — an army of undead zombies.

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Cast:

 Filming locations:

The filming began on September 24, 2014, at West Wycombe House and Park, Buckinghamshire. During the Halloween weekend, actors were spotted shooting some scenes at Hatfield House in Hertfordshire. Later in early November, crews were filming at Basing House in Old Basing. On November 13, filming shifted to Frensham.

Wikipedia | IMDb


Slash Dance

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‘Save the last dance… for Hell!’

Slash Dance – aka Slashdance – is a 1989 U.S. horror thriller written and directed by James Shyman (Hollywood’s New Blood). It stars Cindy Ferda, James Carroll Jordan, J. Buzz Von Ornsteiner, Jay Richardson, William Kerr, John Bluto, Dee Booher [as Queen Kong], Kelle Favara.

Plot teaser:

In Hollywood, a female cop goes undercover as a dancer at an old theatre to catch a serial killer who has been murdering women auditioning for a musical…

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Reviews:

“There are a lot of red herrings tossed around, along with a lot of big hair, acid washed denim, horrible acting and downright retarded storytelling. This movie also tries to inject a lot of really unfunny, inappropriate humor throughout, which gives it a schizophrenic feel as it switches back and forth from wacky highjinks to musical montages to serious violence, all without batting an eyelash. The gore is at a minimum here, as well as the nudity, which is very brief at best.” Michael Monterastelli, CHUD.com

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Slashdance is an utterly avoidable effort that fails to deliver as a slasher, as a comedy or even as a dance movie. There’s really nothing to recommend here and its best avoided.” A Slash Above…

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Slash Dance is very bad, and I don’t really think it’s even much of a curiosity for slasher fans unless you really want to see shoot guns on a firing range, deliver dropkicks, and show off her high-heel throwing prowess. No matter how cool that sounds, it really isn’t. Trash it!” Brett Gallman, Oh, the Horror!

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“It’s an absolutely horrendously bad film: it fails as a slasher flick, it fails as a crime thriller, and it fails as a horror-comedy – yes, there’s plenty of attempted intentional humor in Slash Dance. The intentional humor is so not funny that it totally travels full-circle and becomes funny again, which is very rare … Look, if you want a decent slasher set in the world of theatre, try Stage Fright or Curtains. But if you just want some fabulously bad direct-to-VHS ’80s-cheesy-style fun, I highly recommend Slash Dance, some friends, and a six-pack. Leotards are optional.” Final Girl

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“Lots of dancing. Few thrills.” John Stanley, Creature Features

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Choice dialogue:

“Ok, but if I end up looking like the Hunchback of Notre Dame from sleeping on your couch, it’s your fault.”

“It’d like to tap dance, on his head.”

IMDb


A Vampire for Two

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Un vampiro para dos (“A Vampire for Two”) – also known as La mansión de los vampiros – is a 1965 Spanish comedy horror film directed by Pedro Lazaga from a screenplay by José María Palacio for Belmar Producciones Cinematográficas.

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The film stars Gracita Morales, José Luis López Vázquez, Fernando Fernán Gómez, Trini Alonso, Goyo Lebrero, José Orjas, Adriano Domínguez.

Plot teaser:

Paul and Luisita, a young couple who work in the Madrid are frustrated their their schedules do not allow them to be together much. So they travel to Germany to seek other employment. The only jobs they can find is as servants at the Baron of Rossenthal, better known as the Vampire of Düsseldorf.

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After a few days, the Baron’s sister, Nosferata, decides that the time has come to suck the Spaniards’ blood. However, the vampires did not realise their employees love of garlic will protect them…

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Reviews:

Even without the benefit of English dubbing it is obvious that this is an unsophisticated attempt to elicit potential humour from the culture clash of Spaniards working in Germany. It doesn’t help that it takes over thirty minutes of screen time for the hapless married couple to arrive at the vampire Count’s castle or that Gracita Morales’s voice is pitched painfully high throughout. A drunken singalong accompanied by organ music has to be the film’s low point.

Adrian J Smith, Horrorpedia

” … could have yielded an interesting comedy but in this film script and direction opt for a broad farce rather than corrosive satire.” Phil Hardy (editor), The Aurum Film Encyclopedia: Horror

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Watch the whole film in Spanish on veoh.com

IMDb | Plot translated from filmaffinity.com


Bloodsucking Bastards

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Work. It sucks the life out of you.’

Bloodsucking Bastards is a 2015 US comedy horror film directed by Brian James O’Connell (Killer View) from a screenplay by Dr. God and Ryan Mitts. It stars Fran Kranz, Pedro Pascal, Yvette Yates, Joel Murray, Emma Fitzpatrick, Joey Kern, Patricia Rae, Parvesh Cheena, Zabeth Russell, Neil W. Garguilo, Justin Ware, Kyran Danaher, Marshall Givens, James Warfield.

The film is being premiered on January 23, 2015 at the Slamdance Film Festival.

Plot teaser:

Evan is a dutiful and overworked employee stuck at a soul-killing corporation with his beautiful co-worker and girlfriend Amanda (Emma Fitzpatrick) and his slacker best friend Tim (Joey Kern). Evan’s world begins to crumble when Amanda dumps him and his boss Ted (Joel Murray) hands his coveted promotion to his nemesis Max (Pedro Pascal). When his office mates start going through disturbing changes, Evan must find a way to stop the evil brewing amidst the office cubicles, and rescue his workplace pals before his life and career go from dead-end… to just dead.

IMDb



‘Pink Plasma’– Episode of The Pink Panther and Friends

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‘Pink Plasma’ is a six minute 1975 animated episode of The Pink Panther and Friends directed by Art Leonardi from a story by John W. Dunn. It was produced by Mirisch Films and DePatie-Freleng Enterprises.

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Plot teaser:

On vacation in Transylvania, The Pink Panther stops to spend a night at what he believes to be a traveller’s lodge. However, it is in reality a vampire’s spooky castle. He encounters a knife-throwing arm, an invisible monster, a cantankerous spider and ghostly bedsheets. Assuming a coffin to be that of a dead man, the Pink Panther buries it, watched by an audience of bemused rats and a lizard.

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Come dusk, amidst ominous rumbling, the enraged vampire (The Little Man) emerges. The Pink Panther utilises bug spray to repel the vampire, who has adopted bat form, and when it splutters out of the castle window, a shark is waiting in the moat (this being 1975 when Jaws fever was at its height).

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Buy Pink Panther: The Ultimate Guide from Amazon.co.uk

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This occurs a couple of times more before a big chase and sunrise which causes vampire, shark, monster, and the castle to vanish…

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Buy The Pink Panther and Friends on DVD from Amazon.comAmazon.co.uk

IMDb


Kitchen Sink

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Kitchen Sink is a 2015 American horror comedy film directed by Robbie Pickering from a screenplay by Oren Uziel (Mortal Kombat: Rebirth; Men in Black 4) The film stars Vanessa Hudgens (Sucker Punch; Machete Kills), Ed WestwickDenis Leary and Bob Odenkirk. The film’s original title was The Kitchen Sink.

Originally slated to open on January 9, 2015, the Columbia Pictures production will now be released on September 4, 2015 by the company in conjunction with Sony Pictures Releasing.

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Plot teaser:

In the town of Dillford, it used to be that vampires, humans and zombies used to get along, but then something unexpected arrived and now it’s humans vs. vampires vs. zombies in all-out mortal combat. Now three teenagers must try to get things back to “normal”…

Cast:

Filming locations: 

The film started shooting in Los Angeles on August 15, 2013 and lasted 37 days at different locations in LA including Santa Clarita, Temple City and Van Nuys High School.

Wikipedia | IMDb


The Raven (1963)

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The Raven is a 1963 American comedy horror film produced and directed by Roger Corman. The film stars Vincent Price, Peter Lorre, and Boris Karloff as a trio of rival sorcerers. The playful, lively score is by Les Baxter.

The Raven 1963

It was the fifth in the so-called Corman-Poe cycle of eight films largely featuring adaptations of Edgar Allan Poe stories produced by Roger Corman and released by American International Pictures (AIP). The film was written by Richard Matheson, based on references to Poe’s poem “The Raven“. The supporting cast includes Hazel Court and a young Jack Nicholson.

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Roger Corman and Richard Matheson had both enjoyed making the comic The Black Cat episode of Tales of Terror and wanted to try an entirely comic Poe feature. “After I heard they wanted to make a movie out of a poem, I felt that was an utter joke, so comedy was really the only way to go with it,” said Matheson.

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A novelisation of the film was written by Eunice Sudak adapted from Matheson’s screenplay and published by Lancer Books in paperback. This novel was republished by Bear Manor Media in 2012.

On March 9, 2015, Arrow Video are releasing The Raven on Blu-ray in the UK. Special features include:

  • High Definition Blu-ray (1080p) presentation of the feature, transferred from original film elements by MGM
  • Original uncompressed Mono PCM Audio
  • Optional English subtitles for the deaf and hard of hearing
  • Peter Lorre: The Double Face, Harun Farocki’s 1984 documentary
  • Richard Matheson: Storyteller, an interview with the legendary novelist and screenwriter
  • Corman’s Comedy of Poe, an interview with Roger Corman about making The Raven
  • The Trick, a short film about rival magicians by Rob Green (The Bunker)
  • Promotional Record
  • Stills and Poster Gallery
  • Original Theatrical Trailer
  • Reversible sleeve with original and newly commissioned artwork by Vladimir Zimakov
  • Collector’s booklet featuring new writing by Vic Pratt and Rob Green, illustrated with original stills and artwork

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Buy The Raven on Blu-ray from Amazon.co.uk

Plot teaser:

Set during the 15th century, the sorcerer Dr. Erasmus Craven (Vincent Price) has been mourning the death of his wife Lenore (Hazel Court) for over two years, much to the chagrin of his daughter Estelle (Olive Sturgess). One night he is visited by a raven, who happens to be a transformed wizard, Dr. Bedlo (Peter Lorre). Together they brew a potion that restores Bedlo to his old self.

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Bedlo explains he had been transformed by the evil Dr. Scarabus (Boris Karloff) in an unfair duel, and both decide to see Scarabus, Bedlo to exact revenge and Craven to look for his wife’s ghost, which Bedlo reportedly saw at Scarabus’ castle. After fighting off the attack of Craven’s coachman, who apparently acted under the influence of Scarabus, they set out to the castle, joined by Craven’s daughter Estelle and Bedlo’s son Rexford (Jack Nicholson).

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At the castle, Scarabus greets his guests with false friendship, and Bedlo is apparently killed as he conjures a storm in a last act of defiance against his nemesis. At night, Rexford finds him alive and well, hiding in the castle. Craven, meanwhile, is visited and tormented by Lenore, who is revealed to be alive and well too, having faked her death two years before to move away with Scarabus. As Craven, Estelle, Rexford and Bedlo try to escape the castle, Scarabus stops them, and they are tied and locked up. Bedlo panics and flees away in raven form, having convinced Scarabus to turn him back into bird form rather than face torture…

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Reviews:

“It’s really a shame, given the high caliber of what has preceded it, that the climactic duel of magic is both so incredibly long and so incredibly lame. Ending a movie with a huge special effects set-piece is always a risky proposition, but it becomes a sure-fire formula for outright disaster when there’s no money in a movie’s budget for special effects! Up to this point, The Raven has been a comfortably low-key movie, driven by acerbic wit, careful characterization, and brilliant casting.” 1000 Misspent Hours and Counting

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“The whole thing is played very tongue in cheek and is mostly about having fun not being terrified. The final battle between Karloff and Price is really entertaining and fun to watch; it is very reminiscent of the wizard’s duel in The Sword in the Stone released the same year. The special effects are dated but actually, considering the year and the budget, very effective and fun.” 31 Days of Terror

“A snappy little parody of a horror picture cutely calculated to make the children scream with terror while their parents scream with glee.” Time (1963)

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kinopoisk.ru

Choice dialogue:

The Raven (Peter Lorre): “Will you give me some wine!”

Cast:

Wikipedia | IMDb


Deathgasm

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‘Evil is coming’

Deathgasm is a 2015 New Zealand comedy horror movie written and directed by Jason Lei Howden.

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The film stars Milo Cawthorne, James Blake, Kimberley Crossman, Stephen Ure, Sam Berkley, Daniel Cresswell, Delaney Tabron, Colin Moy, Jodie Rimmer, Nick Hoskins-Smith, Erroll Shand, Kate Elliott.

Deathgasm has its World Premiere next month at SXSW.

Plot teaser:

New kid in town Brodie and bad-boy Zakk quickly bond over their mutual admiration of heavy metal. But when these two metal-heads unwittingly summon up a demon known as The Blind One, their dreams of stardom may just have to be put on hold

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IMDb

Posted by Will Holland


Crazy Bitches

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Crazy Bitches is an American 2014 comedy horror film written and directed by Jane Clark.

The film stars Samantha Colburn, Cathy DeBuono, Andy Gala, Liz McGeever, Victoria Profeta, Guinevere Turner, Nayo Wallace, Mary Jane Wells, Blake Berris, Candis Cayne, David Fumero, Riley Berris, Eddie Daniels.

Plot teaser:

Seven girls and one gay guy plan a getaway to a remote ranch for a week of gossip and grub. They start off where they always do, old rivalries in place, extreme vanity covering great insecurities, but with a true love for each other underneath the bickering, sniping and sassing.

crazy-bitches-movie

A number of drinks into night one and a dark secret is revealed. The house they rented is the site of a mass murder of teenage girls fifteen years earlier. Blood still stains the floors under replacement carpets. The killer still runs free.

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The girls take it for what it seems – a fun story for a rainy night by a roaring fire. But after one of them disappears and is discovered dead, the story doesn’t seem so fun anymore. One by one, they die, killed by their own vanity…

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Filming locations:

Great Spirits Ranch, Malibu, California

IMDb | Official site | Facebook

Posted by WH


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